If in Edward Said’s words, “everyone lives life in a given language; everyone’s experiences therefore are had, absorbed, and recalled in that language” (Out of Place, 1999: 217), a writer who chooses to write in a language other than the mother-language is inevitably a victim of displacement. In a geography-decentred world, being linguistically out of place is usually accompanied with a physical displacement, issuing into a problematic interplay between language, self and identity. In Assia Djebar’s autobiographic narratives, the role of the written word is made more complex, not only because Djebar is a Muslim woman, but also due to the conflict between her oral ‘maternal’ Arabic/Berber language, and the written ‘paternal’ language which ...
The autofictional side of Assia Djebar is particularly obvious in La Disparition de la langue frança...
Assia Djebar and the Rewriting of the History in the Feminine In L’Amour, la fantasia, Assia Djebar ...
Recent postcolonial criticism suffers from a sense of anxiety regarding the appropriate balance betw...
In Fantasia: An Algerian Cavalcade, Assia Djebar places herself with great autobiographers: Augustin...
La Femme sans sépulture is one of Djebar’s recent publications which carries on with the author’s se...
One of the preoccupations of postcolonial writers has been the idea of belonging and of displacement...
Francophone diaspora literature reveals unstable worlds. In facts, the metamorphosis of the self wou...
Migratory movements in the world have led to the formation of diasporas and immigrants cultures that...
The autofictional side of Assia Djebar is particularly obvious in La Disparition de la langue frança...
Through a myriad of ways and a wealth of metaphors, the novelist spent her career trying to elucidat...
The well-known French-language writer, Assia Djebar, teaches the reader to listen intently to cultur...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
No âmbito da literatura pós-colonial, o povo argelino buscou na escrita literária, uma forma resisti...
The autofictional side of Assia Djebar is particularly obvious in La Disparition de la langue frança...
Assia Djebar and the Rewriting of the History in the Feminine In L’Amour, la fantasia, Assia Djebar ...
Recent postcolonial criticism suffers from a sense of anxiety regarding the appropriate balance betw...
In Fantasia: An Algerian Cavalcade, Assia Djebar places herself with great autobiographers: Augustin...
La Femme sans sépulture is one of Djebar’s recent publications which carries on with the author’s se...
One of the preoccupations of postcolonial writers has been the idea of belonging and of displacement...
Francophone diaspora literature reveals unstable worlds. In facts, the metamorphosis of the self wou...
Migratory movements in the world have led to the formation of diasporas and immigrants cultures that...
The autofictional side of Assia Djebar is particularly obvious in La Disparition de la langue frança...
Through a myriad of ways and a wealth of metaphors, the novelist spent her career trying to elucidat...
The well-known French-language writer, Assia Djebar, teaches the reader to listen intently to cultur...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
This dissertation examines the theme of exile in the writings of North African writers, and explores...
No âmbito da literatura pós-colonial, o povo argelino buscou na escrita literária, uma forma resisti...
The autofictional side of Assia Djebar is particularly obvious in La Disparition de la langue frança...
Assia Djebar and the Rewriting of the History in the Feminine In L’Amour, la fantasia, Assia Djebar ...
Recent postcolonial criticism suffers from a sense of anxiety regarding the appropriate balance betw...